I have spent more than two decades immersed in art and design. Years of visual training and professional practice have developed a strong sensitivity to composition, proportion, color, the human figure, space, materiality, and atmosphere.

My background spans interior and architectural design, informed by both professional practice and architectural studies at California College of the Arts. These experiences continue to shape how I approach image-making — not simply as the creation of beautiful surfaces, but as the construction of order, tension, weight, emotion, and presence.

Today, I bring that accumulated experience into my AI-assisted art practice. My work often begins with the human figure, placing faces and bodies within visual systems of data, machinery, light, speed, ornament, florals, masks, and ritual.

For me, AI is not a shortcut to speed or novelty. It is a tool that connects artistic training, design thinking, memory, emotion, and imagination — allowing me to give form to images I once could not fully realize and to build a visual language that is distinctly my own.